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- Improving the BME Classroom on the Ground and Virtually
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- 2021 ASEE Virtual Annual Conference Content Access
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Charles J. Robinson, Clarkson University; Loretta Driskel, Clarkson University; Erin Blauvelt, Clarkson University; Laura J. Perry, Clarkson University
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Diversity
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Biomedical Engineering
andragogy (the practice ofteaching adult learners), industry best practices, Quality Matters, and the seven Principles forGood Practice in Undergraduate Education (adapted for hybrid learning).7 This workshop wasloosely modeled after the Quality Matters’ Designing Your Online Course Workshop.10 Duringand as a result of this RISE program the BR200 instructor with the help of his coauthors: 1. Developed a detailed BR200 course map including measurable objectives, assessment types, and a schedule overview. This included a syllabus appropriate for online and hybrid courses using a specified Syllabus Template. 2. Created engaging instructional materials and further used technology to create high quality learning experiences for students
- Conference Session
- Supporting Biomedical Engineering Students in Holistic Development
- Collection
- 2021 ASEE Virtual Annual Conference Content Access
- Authors
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Dianne Grayce Hendricks, University of Washington; Yuliana Flores, Human Centered Design & Engineering, University of Washington
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Diversity
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Biomedical Engineering
, andassignment descriptions online [link blinded for peer review]. The curricular materialsand insights from this paper are interdisciplinary and transferable to many courses inBME and related fields.In order to make our curriculum more accessible to engineering educators who do nothave backgrounds in critical theory (and because we are not experts in these fieldsourselves), in this paper we do not provide an extensive background of critical theorieson race, gender, sexuality, or disability. However, we do recommend the followingresources: Donna Riley’s book, Engineering and Social Justice [1], The Center forCritical Race and Digital Theories [2], “Critical Race Theory: An Introduction” [3], andLangdon Winner’s “Do Artifacts Have Politics?” [4]. As we