- Conference Session
- Emerging Computing and Information Technologies II
- Collection
- 2017 ASEE Annual Conference & Exposition
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Mohammad Rafiq Muqri, DeVry University, Pomona; Javad Shakib, DeVry University, Pomona; James R. Lewis, DeVry University, Pomona
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Diversity
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Computing & Information Technology
structures and the basics of MATLAB. Recent assessment results have shown that with thelayout of training modules before taking the capstone project, the fear of BMET studentstaking the capstone projects is not only eliminated but has also built up their confidence andimproved the quality and creativity of their projects. With proper conditioning and judicious courseselection, students will become more motivated and will help reinforce the best practices inimplementing9 capstone senior projects.Bibliography1. Shakib, J., Muqri, M., “An Electrical and Computer Startup Kit for Fundamentals of Engineering (FE) Exam”, American Society for Engineering Education, AC 20162. Shakib, J., Muqri, M., “A Taste of Python - Discrete and Fast Fourier
- Conference Session
- Potpourri
- Collection
- 2016 ASEE Annual Conference & Exposition
- Authors
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Roxanne Moore, Georgia Institute of Technology; Douglas Edwards, Georgia Institute of Technology; Jason Freeman, Georgia Institute of Technology; Brian Magerko, Georgia Institute of Technology; Tom McKlin, SageFox Consulting Group; Anna Xambo, Georgia Institute of Technology
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Diversity
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Computing & Information Technology
Mathematics (STEM) educational researcher with the Georgia Institute of Technology. His educational experience in the Atlanta area for the past twenty years includes high school mathematics teaching, Math/Science Magnet Program Director, Title I educational data specialist, and Associate Professor of Information Technology. As a former US Air Force electronics engineer, Doug was also an engineering project manager.Jason Freeman, Georgia Institute of Technology Jason Freeman is an Associate Professor of Music at Georgia Tech. His artistic practice and scholarly research focus on using technology to engage diverse audiences in collaborative, experimental, and ac- cessible musical experiences. He also develops educational