the clients design vision. Paul’s creative problem solving process provides fresh viewpoints and new concepts for functionally appropriate, aesthetically exciting design solutions. His expertise extends to projects that focus on student STEM education and research including Oakland University Engineering Center, Texas Tech University Health Sciences Center, and Michigan State University Plant Sciences. As a practitioner within a large multidisciplinary design firm, Paul is a designer who understands the interrelationships between building and art. c American Society for Engineering Education, 2017Remaking theEngineering Building:Facility Design Best Practices1. IntroductionOver the last
. Page 12.1346.1© American Society for Engineering Education, 2007 Teaching Beyond Sustainable Awareness: Graduating LEED Accredited ProfessionalsIntroductionThe built environment has a profound impact on our natural environment, economy, health andproductivity. Based on this impact, the design, creation, and maintenance of the builtenvironment presents both challenges and opportunities for design professionals. Sustainabledesign and green design have become everyday terminology in the design field and involve usingmethods and products that cause the lowest possible impact upon the ability of the naturalenvironment to maintain its natural balance. However, the practice of sustainable design can bedifficult and
occupy the center of schools’ curricula. Architecture studentswho do study seismic design tend to do so in the context of learning aboutstructural systems—an aspect of design that is primarily the responsibility ofengineers and do not study aspects of seismic design, related to non-structuralsystems or site planning--areas that are primarily the responsibility of architects.Even though the professional practice of architecture increasingly crosses nationaland international borders, regionalism prevails at schools of architecture,particularly in the design studio component of student experience. Most studentsdo not have the opportunity to undertake a design project that address naturalhazards that are not prevalent in their region.The need for
concentrating on Teacher Education and Technology. Mrs. Shields taught an adjunct lecturer in the College of Education’s Teaching, Learning, and Culture department before tran- sitioning to serving as a graduate assistant in the Center for Teaching Excellence, where she helps to develop curriculum.Dr. Debra A. Fowler, Texas A&M University Dr. Debra Fowler serves the Director of the Center for Teaching Excellence at Texas A&M University. Following 16 years working in industry she completed a Ph.D. is in Interdisciplinary Engineering with a specific focus on engineering education from Texas A&M University. Her research areas of focus are faculty perspectives and growth through curriculum design and redesign
concepts are taught with passive lecturesand “recipe” labs. A balance must be provided between engineering science andengineering practice to prepare students for the real world. This preparation is alreadyunderway in the architectural engineering (AE) field at some universities. To build onthis foundation, in the electrical and lighting option within AE, developing a relationshipbetween the academic community and the electrical construction industry will helpbridge the gap between fundamental engineering principles and practical installationexperience. This relationship is currently being implemented between the NationalElectrical Contractors Association (NECA), its research foundation ELECTRIInternational (EI), and AE students at the University
and involvement in research, the students have improved their ability tocritically and creatively think about problems and develop solutions, orally communicateideas and concerns, and prepare technical documents.Students gained practical experience conducting research that complements their fundamen-tal engineering learning. The students evaluated and physically tested a wide range of visualand digital display devices available in the local and international market. A part of the test-ing process included the design and development of a display board. It replicated a typicalresidential electrical system, and consisted of a utility power meter, load center and variousresidential loads (Figure 1). Students applied the NEC Code in wiring the
technologies.This paper represents an extension of work in relation to a graduate level design studio recentlytaught at Georgia Tech with the aim of presenting more complex definitions and uses of ecologyin architectural practice as a complement to the science behind the environment. Ultimately, theideas and strategies described here hold potential for new forms of relationship between people,place, material and earth. The paper is organized into two parts. The first part identifies threemajor concerns: 1) the current predicament of peak global oil production; 2) the re-occurringproblems associated with the mind-set separation of culture and nature; and 3) the untappedpotential between ecology, creativity, and architecture. The second part places these
graduate courses in concrete, steel, timber and masonry. He is a registered civil engineer and a registered structural engineer in the state of California. Dr. Mwangi is a member of the Structural Engineers Association of Central California, Earthquake En- gineering Research Institute, American Society of Civil Engineers, the Structural Engineers Institute and active member of the Masonry Society (TMS), serving as a voting member on the Masonry Standards Joint Committee and on the TMS’s Technical Activities Committee. Dr. Mwangi is a certified Disaster Service Worker (Safety Assessment Program) for the state of California Emergency Management Agency. His other interests are in post-disaster structural mitigation and
simulations influence the design of sustain- able built environments. Prior to joining the faculty at Syracuse, Bess was a HASS Fellow at Rensselaer Polytechnic Institute’s Center for Architecture Science and Ecology (CASE), where she received her Ph.D. in Architectural Sciences. She has practiced with Lubrano Ciavarra Architects and with Skidmore, Owings, & Merrill (SOM) on the design of international projects that integrate next-generation building technologies. Bess teaches technical and design courses focused on the integration of building systems, environmental data, and user feedback loops into design processes. She leads the Interactive Design and Visualization Lab at the Syracuse Center of Excellence (COE
Paper ID #10264Home Experiments: EarthBag Construction as Teaching Tool in RwandaProf. Yutaka Sho, Syracuse University Yutaka Sho is a partner of GA Collaborative, a US-based design firm that works with non-profit, municipal and academic partners. In Rwanda GAC is building a village of 50 homes with an association of builders and architecture students. She has researched and practiced in Bangladesh, Japan, Lebanon, Turkey and Uganda. She received a bachelor’s degree in landscape architecture from Rhode Island School of Design and a master’s degree in architecture from Graduate School of Design at Harvard. Sho is an
structuring twopairings, one of 'architecture and engineering' and the other of 'practice and the academy',significant dimensions could be added to the Rensselaer education of an architect and anengineer; dimensions that would have strategic impact on both the perspectives and practices ofRensselaer graduates. Such initiatives are not new. Modern era joint architecture andengineering educational initiatives have been pursued as far back as the 1970's when TedHappold, founder of Buro Happold, directed the interdisciplinary program for architecture andcivil engineering at the University of Bath which was successful in producing a generation ofcreative architects and innovative building engineers.2Components and History of the Bedford ProgramThe Bedford
how design can raise the quality of life in a community, andhow appreciation of other cultures allows one [to] help them, has deepened my regard for theseexperiences.” 5Student Two: “This learning matters because it brought a great change in my life.” 5Student Three: “In the future I plan to remain involved in organizations and activities that areconcerned with social advocacy. I also plan on being a part of professional organizations thatwill promote social advocacy.” 5Student Four: “Interior designers should be aware of the impact of such political and socialprocesses on their practices and should implement changes in designed environments thatsupport improved social conditions in order to meet the basic needs and life safety of people