2006-1096: “PUTTING A FENCE AROUND” ARCHITECTURAL ENGINEERINGUNDERGRADUATE RESEARCH PROJECTSEdmond Saliklis, California Polytechnic State University Page 11.1464.1© American Society for Engineering Education, 2006 “Putting a fence around” architectural engineering undergraduate research projectsBackground and Literature Review: The purpose of this paper is to provide practical suggestions of how to design andmost importantly, how to limit the scope of proposed projects such that that anarchitectural engineering student can successfully participate in undergraduate research.Throughout the paper, the pedagogical benefits of such research
2006-249: ADOPT A BUILDING PROJECT: UTILIZING THE EXISTING (CASESTUDIES) TO TEACH CONSTRUCTIONDavid Cowan, Indiana University-Purdue University Indianapolis Dr. David Jan Cowan is an assistant professor of Architectural Engineering Technology and Interior Design at Purdue School of Engineering and Technology, Indianapolis (IUPUI). Page 11.161.1© American Society for Engineering Education, 2006 Adopt a Building Project: Utilizing the Existing (Case Studies) To Teach ConstructionAbstract This paper focuses upon the discussion of using existing buildings to teach commercialconstruction
2006-986: RETROCOMMISSIONING (RCX) MECHANICAL SYSTEMS ON AUNIVERSITY CAMPUS: STUDENT CAPSTONE EXPERIENCEMargaret Bailey, Rochester Institute of TechnologyErin George, Rochester Institute of Technology Page 11.1092.1© American Society for Engineering Education, 2006 Retrocommissioning (RCX) Mechanical Systems on a University Campus: Student Capstone ExperienceAbstractSenior engineering students at Rochester Institute of Technology are required to complete a 22-week culminating project prior to graduating. This multidisciplinary project assembles teams ofstudents in various engineering majors to work together on an engineering design projectsponsored by
a wide variety of projects within the United States and abroad. A trademark of all the projects was the concept of integrated design where the building solution incorporates the design efficiencies and aesthetics from each building discipline. This approach to design is stressed in all of his courses for engineers, architects, and construction managers alike.Thomas Leslie, Iowa State University Thomas Leslie, AIA is an Associate Professor of Architecture at Iowa State University. He received his B.S.A.S with High Honors from the University of Illinois, and his M. Arch. from Columbia University. For seven years he practiced with the office of Norman Foster and Partners, London, working on the
Society for Engineering Education, 2006 “Assessing the Comprehensive Design Studio Course through Alternate Methods”AbstractCourse assessment typically consists of the review of a course by the teaching faculty memberbased on student grades from the course. This process, without additional methods, can lead to afalse sense of success in a course, and it becomes necessary to find alternate methods for furtherassessment.For the comprehensive design studio course, alternate methods of assessment have beenemployed. This course is a semester long architectural and engineering design studio where allphases of an architectural design project are covered, from schematic design through designdocumentation. In
at a variety of modeling software are used in estimating, material takeoffs, and marketingvisualizations,3 while others have studied the shortcomings of 2D vs. 3D representations whenevaluating construction document building assemblies.5 In addition, virtual reality (VR) and 4DCAD modeling have been studied to allow students the opportunity of interactively generating aconstruction project process activity.4Many of these projects required the learning of advanced CAD packages beyond those normallyassociated with current programs in construction management. Because of ACCE minimumrequirements and university imposed minimum General Requirements at the author’s university,advanced courses are not implemented, outside of independent study
students from learning how to incorporate seismic designlessons into the architectural design process.BackgroundIn the past two decades the National Science Foundation (NSF) and the FederalEmergency Management Agency (FEMA) have funded several projects directedto architectural education. Recently, the Earthquake Engineering ResearchInstitute (EERI), with the support of FEMA, completed Designing forEarthquakes, a manual for practicing architects that was developed in response tothe need for a text that consolidated information needed by architects preparingfor practice in earthquake country. Page 11.1111.2In 2000, the Building Science Safety Council (BSSC), with
2006-1649: BREAKING THE BOX: A NECESSITY FOR INTERACTIVE ON-LINECOLLABORATIVE TEACHINGErich Connell, East Carolina University Erich Connell is an Assistant Professor in the Department of Construction Management at East Carolina University. He is an Architect and has over 10 years of teaching and professional experience in the field.David Batie, East Carolina University Page 11.284.1© American Society for Engineering Education, 2006 Breaking the Box: A Necessity for Interactive On-Line Collaborative TeachingIntroductionWhen undertaking a project in which there is no precedent, it
, while understanding correlating managementpractices. One project occupies the entire semester, which is divided into three phases: schematicdesign, design development, and design documentation. Although the AE students must continueto design the project’s architecture, the requirements for them begin to differ during designdevelopment, placing a focus on structural systems design and calculations. Formal juries ofprofessional architects and engineers mark the transitions from one phase to another, and thecalendar allows the rare opportunity for students to respond to jury comments through designrevisions. Handouts are distributed and seminars occur weekly to provide additional informationand requirements as the designs progress.Even after many
issue at hand. These case study presentations are organized into a three part series:Architectural Graphic Communication, Fundamental Design Principles, and DesignProcesses. The Architectural Graphic Communication series consists of three sessions: DrawingTypes and Rendering, Orthographic Projection, and Linear Perspective. The FundamentalDesign Principles series also consists of three sessions: Form, Space and Order, Visual Devices,and Formal Penetrations. The Design Process Series consists of four sessions: ArchitecturalDesign, Architectural Engineering Design, Design and Construction, and the Interview of aProfessional. A description of the topic and associated case study, which utilize contemporary aswell as historical designers for their
most important prevalent mechanism to examinethe quality of teaching and effectiveness of professors. A research study was conducted in SPSUConstruction Department to examine the teaching effectiveness. The spatial transferability of thefaculty evaluation mechanisms, without regard to spatial socio-cultural differences, is discussedin this study based on the collected data and following a thorough literature review. It was foundthat the ratings of a large percentage of construction students were positively influenced whentheir exam grades were inflated; the entire course material was not covered during the semester;a project was not assigned to the course; and students were allowed to arrive late as well asabsent from class from time to time
Case Study 3 Study Duration 1/2003 – 5/2003 3/2004 – 5/2004 6/2004 – 7/2004 NASA Crew Restraint Historic Bryan Peckerwood Garden Project Topic System in zero-gravity Downtown Development environment Development 3rd - 4th Year 1st Year Graduate 3rd Year Undergraduate Students Undergraduate Students Students at TAMU Students at TAMU
concerns inpractice, in the context of three green housing proposals located at Hulsey Yards, a 35-acre in-town, industrial urban site south of downtown Atlanta that is strategically placed along the BeltLine Atlanta Project, a 22-mile inner-city light rail loop and greenway currently the focus of amulti-million dollar study by the Georgia Department of Transportation [3].PART ONE:Identifying ConcernsOil-Centered DevelopmentThe U.S. faces an epochal predicament: global oil production will peak within the next couple ofyears, if in fact it hasn’t already peaked. According Kenneth S. Deffeyes, oil production peakedexactly on December 16, 2005, when cumulative production exceeded 1.0065 trillion barrels ofoil [4]. Regardless of when oil production
11.1303.2IntroductionThis paper is concerned with the use of material fabrications in the teaching of architecturaldesign. It identifies and describes three different methodologies which have been used, in thecontext of Masters level studios, to organize the conception and construction of architecturalprojects; most particularly, projects defined by the exigencies of their physical properties. Forwell over 60 years the design studio has been at the center of architectural education serving asan important venue for exploring the relationship of building to construction. And it is the goalof this paper to critically assess the educational merit of three distinct exercises conceived topromote a paradigm shift in accepted studio procedures. To this end, and by way of
process; this is equivalent to assessingan individual on a team or group project. A secondary issue is how or even if, students can takeownership of this design process? How do they come to know it or should they just takeresponsibility for the management of the process? More studies need to be done in this area butclearly the technology has changed their experience and is raising important pedagogicalquestions of authorship as well as ownership.Supporting DataSurveyA three-page blind survey was given to the Construction Design students at the conclusion oftheir first ten-week design development project for a large residence. Although the survey wasnot designed specifically for this paper, it does show characteristics of this new
location where language would notbe a barrier was particularly critical if the students were to maximize benefits from the officeexperience. Secondly, London’s status as a major economic center, its reputation for culturaldiversity, the richness of its historic architectural works, and the large numbers of recently builtand in many cases highly acclaimed architectural projects, were among other factors thatinfluenced the selection. These factors were important considerations in meeting courseobjectives beyond those related to the cooperative education requirement.Course Structure:As previously noted, while a primary objective of the course was to provide a curricular parallelto the college cooperative education requirement, other activities
of cultural dimensions in design and thebuilt environment.Course Format and Cross-cultural Comparison of ArchitectureCourse Format Instead of using traditional course format, which is facilitated with the lectures by theinstructor, an innovative approach has been explored. The innovative teaching methods for thiscourse are facilitated by interactive visual images through PowerPoint presentations. Classactivities include non-traditional class activities, such as dialogue discussion group, groupactivities, presentations and field trips. Student projects include cross-cultural comparisonnotebooks, papers and presentations.Cross-Cultural Comparison of Architecture Examples of Cross-Culture Comparisons of Architecture in this course
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2006-397: COLLABORATING WITH INDUSTRY VIA YOUR ADVISORY BOARDDaniel Davis, University of Hartford Daniel Davis, AIA is a Professor of Architecture in the College of Engineering, Technology, and Architecture at the University of Hartford, where he has taught for 12 years. He has more than 25 years of experience as a Design Architect and many of his projects have been published in professional journals and won design awards. He has also published a book and a number of journal articles. Davis is also an Associate with Fletcher-Thompson, Architects and Engineers where he is the Director of Design of their Hartford, CT office